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“Seeing is Believing”: American Male Identity through Hollywood’s WWI

Citation

Cardwell, Scott Thomas. (2017). “Seeing is Believing”: American Male Identity through Hollywood’s WWI. Theses and Dissertations Collection, University of Idaho Library Digital Collections. https://www.lib.uidaho.edu/digital/etd/items/cardwell_idaho_0089n_11155.html

Title:
“Seeing is Believing”: American Male Identity through Hollywood’s WWI
Author:
Cardwell, Scott Thomas
Date:
2017
Keywords:
Exceptionalism Hollywood Masculinity Movies Propaganda World War I
Program:
History
Subject Category:
History; Film studies; Gender studies
Abstract:

This study explores the relationship between war movies and their effect on American culture during the years 1925-1941. As white American men confronted the changes taking place in the twentieth-century, they turned to new forms of idealized identity—specifically, Hollywood representations of heroic masculinity. In the years between WWI and WWII, as white men faced challenges to their cultural hegemony, American men sought nostalgic forms of idealized masculinity through Hollywood heroes.

Hollywood’s war genre provided audiences with ideal versions of masculinity via men onscreen. Soldiers in movies became the epitome of masculinity and American identity in a transitional era of “modern” values—combining Victorian and twentieth century definitions of American manhood. The exceptional and masculine narrative in Hollywood movies shaped how audiences reacted to onscreen heroes and the history portrayed. Spectators fashioned identities through their fondness of actor’s roles and used those identities in their everyday lives.

Description:
masters, M.A., History -- University of Idaho - College of Graduate Studies, 2017
Major Professor:
Scofield, Rebecca
Committee:
Quinlan, Sean; Meeuf, Russell
Defense Date:
2017
Identifier:
Cardwell_idaho_0089N_11155
Type:
Text
Format Original:
PDF
Format:
application/pdf

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